There were even T-shirts with the old-fashioned countdown to a movie permanently frozen at five seconds. Alongside those romantic black and white movie prints were overscale fluoro patterns printed on scarf silk that resembled graffiti but turned out on closer inspection to suggest neon-lit billboards advertising the latest epic by Coco or Chanel. Or an overscaled pale pink cardigan-traced with black piping that seemed hand-drawn-worn as a coat dress with a necklace that seemed assembled from cherished charms (and one of the metal linked C motif tiara headbands).

This meant big-shouldered 1980s-looking Chanel suit jackets worn with petal pushers or stone-washed denim jeans or tiny miniskirts in candy pink or sky blue. The separates-based mix felt very Parisian girl cool-the sort of clothes that would appeal to hipster actresses Marion Cotillard and Anna Mouglalis, for instance, who were among the guests attending the in-person show, recognizable even behind the mandatory white masks that were distributed at the door.